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Let go of the need for control from "summary" of Gitanjali by Rabindranath Tagore,William Radice
The concept of relinquishing the desire for control is a central theme in the poetry of Gitanjali. The poems express a deep understanding of the limitations of human power and the futility of trying to manipulate or dominate the world around us. Instead, they advocate for a sense of surrender and acceptance, a willingness to let go of our need to control every aspect of our lives. This idea is particularly poignant in the context of the relationship between individuals and the divine. The poems suggest that true spiritual fulfillment can only come when we release our need to dictate the terms of our connection with the divine. By relinquishing our desire for control and embracing a sense of humility and submission, we can open ourselves up to a deeper, more profound experience of the divine presence in our lives. In Gitanjali, the concept of letting go of the need for control is intertwined with a sense of trust and faith in the universe. The poems suggest that when we release our grip on the reins and allow ourselves to be carried along by the currents of life, we can find a sense of peace and serenity that transcends our earthly concerns. This idea is expressed through imagery of surrender and release, as the speaker in the poems grapples with the realization that true freedom comes from letting go of our need to dominate and manipulate our surroundings. By embracing a sense of vulnerability and openness, we can find a sense of liberation that is not dependent on our ability to control the world around us.- The concept of letting go of the need for control in Gitanjali speaks to a profound truth about the nature of human existence. It invites us to reevaluate our priorities and question the assumptions that underlie our desire for power and dominance. By embracing a sense of surrender and acceptance, we can find a deeper connection to ourselves, to others, and to the divine presence that animates the world around us.
